Jon Grierson once stated that documentary is the “creative treatment of actuality.”
This course looks at documentary through its broad strokes in time while simultaneously exploring the theoretical underpinnings of non-fiction media that make the artform so diverse and unique. This course introduces students to the historical and theoretical roots of the documentary form through viewing a wide variety of films spanning time and geographic location.
THE AIM OF TMA 293
Watch a lot of non-fiction films, and enjoy them (perhaps immensely).
Consider the historical context and implication of nonfiction film from its beginning to the present day.
Explore a range of approaches, styles, and individuals associated with the documentary idea.
Discuss social and ethical issues that emerge around documentary filmmaking.
Consider how our own lives (as filmmakers, film critics, and normal people) are informed and shaped by documentary sensibilities (or ought to be).
Understand the theoretical and stylistic approaches of non-fiction filmmakers and develop one’s own foundation of non-fiction theory.
LEARNING OUTCOMES
The selection of film & media in the course is intended to give students an introduction to the broad history of documentary. Selected films and texts include content that some students may find problematic. Alternative films will be provided for those students who choose not to view these selected films. Students who choose to view these alternatives must notify the instructor beforehand, will be excused from the screening that day of class, and will view the alternative selections in the library. Students are encouraged to direct any questions or concerns they have about the course’s selection of film & media to the instructor. If you miss a screening due to illness you may be able to get the film in the library or the instructor can arrange to have that film or another film to be viewed.
VIEWING POLICY
Documentary: A History of the Non-Fiction Film 2nd Revised Ed. Erik Barnouw
Introduction to Documentary 4th Ed. Bill Nichols
Between the World and Me Ta-Nehisi Coates